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Joan Brancale
James Coe
Mark Chester
Maryalice Eizenberg
Stephanie Foster
Lynne Foy
Frank Gardner
Garry Gilmartin
Marc Hanson
Jeff Jamison
Joyce Johnson, sculptor
Peter Kalill
Cate Hunter Kashem
Kim Kettler
Kely Knowles
Marc Kundmann
Barney Levitt
Carol Maguire
Jonathan McPhillips
David Mesite
Mary L. Moquin
John Murphy
Colin Page
Elizabeth Pratt
Cynthia Reid
Amy Sanders
Paul Schulenburg
Julie Snyder
Cleber Stecei
Olivier Suire Verley
Eric Emile Walker
Cammie Watson
Sarah J. Webber
Robert Wisner
Courting the Figure, Addison Art Gallery
Oil Painters of America, Addison Art Gallery
Inspired by the National Seashore
Creative Convergence
 

Frank Gardner
Creative Convergence: Cape Cod
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Frank Gardner

 
 
Frank Gardner

Last Light on The Blue Skies    Oil on Linen
Image size 8 x 10    Framed 14 x 16     $780

“I started 'Last Light on the Blue Skies' on the spot. I was really attracted to the late afternoon light on the side of the boat. It was painted on a very shaky pier with Dan Corey and Colin Page. Each time one of us moved the whole pier rocked, and again every time someone came out to see what we were doing. It was like painting standing up in a row boat. Great golden light hitting the side of that boat though.”

 
Frank Gardner - Creative Convergence: Cape Cod
First House      Oil
Image size 8 x 10    Framed $780
 
Frank Gardner - Creative Convergence: Cape Cod
Bradford Street      Oil
Image size 8 x 10    Framed $780

 

Artist's Statement
I am an oil painter, and have been living in Mexico since 1990. Mexico, with its dramatic landscape, the colors, light and its people are what inspire the majority of my work. I am equally happy painting a landscape as I am composing scenes with people and animals or colorful street scenes. I paint on location and in the studio. Painting ‘from’ life, but also painting ‘a’ life, my life, scenes from my experiences of living in Mexico.

I want to share the beauty that I see every day by arranging bits of color and life to tell a story. Drawn to the colors of fleeting light effects on the landscape and inspired by the colors that I see, I try and match them fairly accurately. However, I also interpret, exaggerate and push color in a way to convey how the scene makes me feel. Color combinations and juxtapositions are a lot of what make a subject appealing to me: unique to a certain place at a certain time and varying under different lighting conditions.

My painting style is representational. At times I am influenced by the impressionists, in that I want to capture light effects and color and sometimes sacrifice detail. A controlled chaos or loose spontaneity is my favored look, although each color and stroke is well thought out and carefully placed. I try and convey to the viewer my feelings about the scene through my use of color and brushwork. I’ll let the subject, my mood, or both determine how much detail is required to complete each painting.

The paint application is important to me. It is a very personal facet of my work. An artist's brushwork and paint handling is what sets his work apart from another artist’s interpretation of the same view. It is as unique as a fingerprint and cannot be copied. I not only brush paint on, but lift it off, or smear it with a finger or paint rag. It is often the lifting off of the paint that gives the look I am after.

Traveling and painting is something that I love to do. A fresh set of eyes on a new landscape is good for the art spirit. It pushes me to handle different challenges. I love painting on the east coast of the US, on Cape Cod and in Maine. But I always long to return to Mexico and paint where my heart is.

Addison Art Gallery ADDISON ART GALLERY, Fine Art Gallery in Cape Cod, Orleans, MA
Phone: 508.255.6200 • 43 Route 28, PO Box 2756, Orleans, MA 02653 eMail: art@addisonart.com
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