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Boats at
Low Tide Oil
on muslin board
10 x 16 framed 16 x 22 $1,400
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Flash of
Sun, Dyer St Oil
on linen board
10 x 12 framed 15 x 17 $1,200
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Morning
Light on the Pamet Oil on linen board
7 x 12 framed 11.5 x 16.5 $950
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Path by
the Lighthouse Oil
on canvas board
12 x 16 framed 17.5 x 21.5 $1,600
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Into the
Sun Oil
on linen board
7 x 10 framed 10.75 x 13.75 $850
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Wellfleet
Marsh, Mid-day Sun Oil
on linen board
10 x 14 framed 14 x 18 $1,400
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Incoming
Tide, P'Town Oil
on muslin board
12 x 16 framed 17.5 x 21.5 $1,600
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High Tide,
Pamet River Oil
on linen
5.5 x 12 framed 8 x 14.5 $850
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Truro Abstract Oil on
linen board
10 x 14 framed 15.5 x 20 $1,400
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House with
Two Yellow Doors, P'Town Oil
11 x 14 $1,400
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Beach House,
Study Oil
8 x 12 $1,000
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Low Tide,
Mayo Beach Oil
10 x 16 $1,400
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Dunes and
Clouds, Provincetown Oil
on Linen Board
8.625 x 13.125 Framed 13.5 x 17.5 $1,200
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Waiting
for the Tide Oil
on Linen
14 x 22 Framed 20 x 28 $2,200
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Low Tide
Study, Provincetown Oil on Linen Board
7.75 x 11.5 Framed 12 x 16 $1,000
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James Coe first discovered the radiant light and unique landscapes
of the outer Cape nearly 30 years ago when he was a graduate student
at Parsons School of Design, living and painting for a semester
in Provincetown.
Schooled both as an artist and as a naturalist, Jim spent many
years working primarily as an illustrator and author of birdwatchers’
field guides (including his 1994 Golden field guide Eastern Birds).
He shifted back to painting landscapes and to working in oils about
ten years ago. Today Jim’s paintings typically feature the natural
settings, farms, hayfields of New York’s Hudson River Valley and
Northern Catskills, near to where he lives with his wife and two
children. He also travels throughout New England, working in plein
air, and painting views of New Hampshire’s White Mountains, interior
Connecticut hills and valleys, and coastal marshes, dunes, and
inlets from Cape Cod to Maine. In his studio work, he often calls
upon his ornithological training to integrate birds into his landscape
settings.
Jim’s artwork is featured in the current (Fall 2011)
issue of Plein Air Magazine, and has also appeared in Western
Art Collector, and Wildlife Art, and on the covers of Sanctuary,
Bird Watcher's Digest, Birding World, and The Auk, professional journal
of the American Ornithologist’s Union. He is represented in permanent
collections of the New York State Museum, Hiram Blauvelt Art Museum,
Leigh Yawkey Woodson Art Museum, Massachusetts Audubon Society,
and Bennington Center for the Arts. In September, 2011, he will
be honored as the 32nd Master Wildlife Artist by the Woodson Museum,
longtime host of the prestigious international “Birds in Art” exhibition.
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Honors:
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