Join us virtually for Andrea Petitto’s One Woman Show and new works by gallery artists as we celebrate the start of Summer 2020.
To see Andrea’s full 2020 show, please visit https://www.addisonart.com/andrea-petitto/
Shipping and handling is free within the continental U.S. For a quick response to requests for more information and requests, please email firstname.lastname@example.org. Thank you.
To step inside her studio, please visit Andrea’s YouTube Playlist.
To see more about all of our artists’ activities and work, please visit the Addison Art Gallery YouTube Channel.
For every Petitto painting purchased this through May 24, we will make a donation to the Family Pantry of Cape Cod.
Andrea Petitto was born in rural Massachusetts where, in her youth, she had to choose between art and science. Andrea’s father had been a sculptor and Andrea grew up making things with modeling clay. Instead of the usual children’s literature, as a small child, Andrea was fascinated by the images in large folio books of Rodin and Michelangelo sculptures. These influences can still be seen in the strong sense of solidity and form in her paintings. In 1990, after a career as a university professor and industry consultant, she moved to art. A course in oil painting in 1997 was a life-changing event.
Around the turn of the century, Andrea devoted herself to the study of painting and became a full-time artist with a particular passion for the human figure. Her love of dogs and other animals lead her to include animals in her figurative work.
Andrea taught art classes at Finger Lakes Community College in Canandaigua NY, Cape Cod Art Association in Barnstable and Creative Arts Center, Chatham. She has had solo shows in Canandaigua and at the Copley Society in Boston, and has won many awards in Rochester, NY, Boston’s Copley Society, and at many venues on Cape Cod.
I have always made some kind of art. As a child, I created things with clay, and I have always made drawings of things that I like to look at or just imagine. Later in life I was introduced to oil painting and never looked back. The paint made my drawings come to life.
Figural work is my passion because of the evocative nature of body language and form. A level of abstraction in the figure allows the viewer to experience the emotional impact in a universal way, without concern for a specific identity. Brush or knife strokes are more important to me than representational detail. I like the tension between the sense of paint and surface on one hand and the illusion of form and depth on the other. I try to make my subject matter look like it’s been chiseled from stone and yet alive and breathing, a contrast that I find beautiful and exciting.